The below photo is about as much as I’d ever personally want to go in terms of brightness and intensity. If you have too much sun, your photo will be way to bright and almost difficult to look at, just as if you were trying to stare into the sun itself. You will have to experiment with this sweet spot, as if you don’t enough sun, your resulting photo will look rather drab. This is extremely important, so I’ll say it again. But, if you plan on using something else, like a mountain, tree, or building, you may have to move back and forth to find the “sweet spot” where the sun is about half hidden. For sunrises and sunsets, this is pretty easy, as the horizon does the work for you. Instead, the branches and cliff walls allow the sun to be only partially visible from where the photographer is physically standing.Īgain, the first step is to position yourself such that the sun is only partially visible. Note that both of these scenes allow you to get the great sunburst effect, even though the sun is not starting to dip below the horizon. However, if you have something physically blocking part of the sun, that will work too! Here are two examples below. This is why sunrises and sunsets are so great, as you can time it such that half the sun is below and above the horizon. Similarly, you need enough of the sun so that you can actually capture the rays emanating from it. What does that mean? Well, basically it means that you don’t want the full power of the sun in your view, as that would be too bright. The first step in shooting the sun’s “starburst” is to recognize a situation in which you can get the sun only partially visible, with about half of it hidden and half of it in full visibility. And the really great thing is that it’s quite easy to do! The main thing is that you will need a camera that allows you to customize the aperture setting, while also allowing you to get a very large aperture number (typically speaking, f/16 at least, with f/22 being ideal). A DVD of the film and CD audio of field recordings.Whether it’s a stunning sunrise, sunset, or even just mid day, getting the sun’s rays to show up in your photo is a nice addition to any photograph. Pressing Informationġ36 page hardcover photography book with liner notes by Olivia Wyatt and 117 color photographs of Wyatt's Polaroids. The included CD of field recordings contains audio not presented in the film and adds another dimension to the comprehensive documentation on this expedition. The accompanying 136 page hardcover photography book with liner notes by Olivia Wyatt and 117 color photographs of Wyatt's Polaroids is a fantastic collection that includes portraiture, landscape and textiles compromising a rich tapestry of images from this ancient land. The featured tribes are captured with an unflinching sense of realism and poetic admiration resulting in a visual and aural feast of the senses. Traveling from the northern highlands to the lower Omo Valley via bush taxi, Isuzu cargo trucks, and by any means possible, Wyatt brings together the worlds of Zar spirit possession Hamer tribal wedding ceremonies Borena water well polyphonic singing wild hyena feedings and bizarre Ethiopian TV segments presenting an enchanting look at these otherworldly images, stark landscapes and captivating sounds from the horn of Africa. In 2009, photographer/filmmaker Olivia Wyatt explored 13 different tribes throughout Ethiopia in this visually stunning film on DVD with accompanying 136 page book of Polaroid photographs and audio CD of field recordings. Ethiopia is known to be one of the oldest areas inhabited by humans and presently has over 80 diverse ethnic groups. Staring into the Sun is the latest ethno-folk cinema classic from Sublime Frequencies.
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